Maggi Noodle Review: The Dark Knight Rises

With great fanfare and much furor the final installment in Christopher Nolan's reinvention of the Batman saga - The Dark Knight Rises (TDKR) - was released last week.  Here are my thoughts on it.

(If you haven't watched the movie, fret-not, this is a spoiler-less review.)

(Christian Bale returns for the last time as Batman)

Batman Begins was about how Bruce Wayne sacrificed himself in order to become the Batman, a symbol of hope for the citizens of Gotham City and a harbinger of nightmares for evil-doers.  The Dark Knight (TDK) brought the dual personalities of the hero to light through the warped eyes of the Joker.  This movie was more about Wayne's struggle for an identity than anything else conjured up by the Joker.  Who was the real "person" - the crime-fighting vigilante or the playboy billionaire?  By the end of the movie, Bruce Wayne is beginning to wonder that himself.  In TDKR, Nolan's hero comes a full circle and the movie is clearly about the sacrifices made by the Batman in order to let Bruce Wayne exist.

In the eight years since the end of TDK, Gotham City has not needed the Batman.  Bruce Wayne has hung up the cowl and is holed up in his mansion, a recluse who rarely shows up in public any more.  This, more than anything else, tells us clearly that he believes that the Batman persona represents who he really has become while Bruce Wayne is the mask he wears so he can sleep better at night.  It takes a villain of monstrous proportions (physical and diabolical) to bring the Batman back onto the scene and the story takes off with some spectacular action sequences from there.

The movie is 264 minutes long and, yet, I never felt its length.  For a change, characters in an action movie take the time to talk to each other in more than a couple of sentences and the action scenes themselves are longer.  Rather than having scenes intercut every half-second or so the director lets us sit back and watch the action from a distance.  For the first time in 3 movies, we can actually see more than just one person on the screen during an action sequence and spatial orientation is not sacrificed.  

While the story follows a familiar arc, the movie finds time for sly humor in the form of Anne Hathaway's Catwoman (never clearly named that, though) and a love story between Wayne and Miranda Tate (Marion Cotillard).  Surprisingly, there are a couple of twists that I did not see coming, and an ending that I did.  

All in all, it made for a very satisfying conclusion to the trilogy and good way for Christian Bale to give up the role.  While I was more impressed with TDK, this movie is great viewing in its own right and must not be missed.  Christopher Nolan promised to give us a grander, more elaborate Batman and he has delivered on his promise.

Watch it in IMAX, if you can, or in a regular theater.  Either way, the final scene will tell you all you need to know about the rise of the Dark Knight.